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Nina Ghanbarzadeh was born and raised in Tehran, Iran. She immigrated to the United States in 2001 and received her Bachelor of Fine Arts degree from the University of Wisconsin-Milwaukee with a focus in painting, drawing and graphic design in 2013.  She completed a two years Artist in Residency Program with RedLine Milwaukee in 2015. 

Ghanbarzadeh has participated in a number of group shows in Wisconsin. She is the recipient of Mary L. Nohl Suitcase Export Fund, Student Silver ADDY and Fredric R. Layton Foundations Scholarship Awards. She is also a teaching artist and has been involved in many workshops, lectures and presentations.

Recent focus in her work has been the intersection of text and image and the potential of using text to create movement and texture.


Nina Ghanbarzadeh who lives between two cultures (American-Persian) finds herself translating constantly. She tries to avoid this by situating text as a place for shifting perspectives in her art. Would it be possible to communicate without being concerned with legibility or translation? How communication gets affected when written text steps out of it's traditional function? Would the art have the same impact if the original language were to be translated? Is it even necessary to translate when text acts as color or shapes in work of art? What happens when written text is being treated as an object?

Ghanbarzadeh writes repetitive lines of text that unfold into pattern and shapes. These shapes have entities of their own that respond to the written text or phrase and also reveal some cultural or personal information. She is inspired by Persian poetry and memories of her birthplace. The repetitive lines of phrases depict her emotions at a specific moment of time. Through the meditative act of writing repetitively and creating shapes, she is  exploring her background and multicultural life.